Heartwood: the art and science of growing trees for conservation and profit
by Rowan Reid
Heartwood by Rowan Reid is a heartfelt story by one of the pioneers of blending forestry and farming in this country over the last 30 years. His story is told through chapters focused on tree species planted on his farm at Bambra in the Otway Ranges of Victoria. While this is a personal story focused at Bambra, Reid draws on his decades of experience teaching forestry at Melbourne University, facilitating farmer initiated tree growing through the Master Tree Growers courses and his local Otway Agroforestry Network. In Call of the Reed Warbler Charles Massy says that “Rowan Reid has dedicated much of his life to addressing the key area of increasing the knowledge, resources and confidence for farmers engaging in agroforestry. Along the way he has helped redefine the very concept of farm forestry”.
This beautifully produced book records the trees and the learnings that mark that life.
Each story is complemented by brief but informative science and practice pieces that provide the reader with knowledge to help shape their own tree growing journey. For those applying permaculture ethics and principles to growing trees for timber, Heartwood is one of the most inspiring and informative books about the subject, even if the only reference to permaculture is a passing one.
Reid’s journey as a forester amongst farmers, from youthful vision, applying science and trial and error, to teaching and collaborating across communities and landscapes is a remarkable one of achievement and lessons learnt. His major theme is that conservation and production are compatible and complementary rather than contradictory.
Like my own early co-authorship of Permaculture One (1978), Reid’s co-authorship of Agroforestry in Australia (1985) saw him driven to put into practice ideas outlined in that book. Even though integration of conservation and production values was taken for granted by the permaculture, agroforestry and landcare pioneers, this vision was corrupted by a number factors. Reid’s stories illustrated how the war over native forests as well as government sponsored Landcare programmes both contributed to the segregation of trees for nature from those for profit. Reid’s stalwart stand against this dysfunction and lost potential for transformation of our broadscale farm landscapes by more widespread tree planting for multiple values is clear through the book, but this is not the primary message of all his stories. They all show that the rewards to those with the passion and persistence in tree growing have been economic, environmental and emotional, despite the continuing dysfunction in this country’s relationship to forests and forestry.
My own passion for sustainable forestry over the decades since Permaculture One has been diluted by my jack-of-all-trades spread across the vast territory that is permaculture. Apart from his focus as more of a master-of-one, Rowan Reid has also used the resources and opportunities of his position as a teacher in one of the few Australian university forestry schools to leverage his vision and trials with scientific evidence that has been mostly lacking for those of us who have worked outside of the system. Although we have known of each other’s work from early days, our paths have rarely crossed. I found myself in heartfelt and at time furious agreement with most of Rowan’s stories and lessons, especially his examples of sustainable management of regrowth native forest by innovative land holders. His learnings in choosing native and exotic species at Bambra reinforced my own experience and observations, especially with Coast Redwood. I also had many a-ha moments as Rowan explains how trees grow and the effects of different management, much of it based on recent science by his colleagues and students.
Some permaculture folk might begrudge Reid’s failure to acknowledge permaculture as a broader conceptual framework for what he has demonstrated, but I know that Reid’s innovative work may have had less influence by being associated with permaculture through the dark decades of the 80s, 90s and 2000s. Hopefully those days are passing with both Reid and myself being included in Massy’s influential book about ecological land use in this country.
The only point of strong difference for me was his reinforcing of the nativist orthodoxy that naturalising willows are bad for the environment. Sometime I imaging having a long discussion with Rowan, and our mutual friend and long time closet permie Jason Alexandra about willows. The science about naturalising species is certainly open to on-going debate and many of Rowan’s stories illustrate how scientific evidence has been a constant factor in refining and redirecting his practice and teaching. But Heartwood is also a beautiful illustration of how passion, intuition, happenstance and art have been important factors in Rowan Reid’s life’s work with trees.
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